Phil Collins was born to play the drums; of that there is no doubt. His timing, sense of rhythm and sheer inventiveness have given him a unique style and sound, which is instantly recognisable, yet compatible with the many different styles of music he chooses to play.

Born in Chiswick, London on Jan 30th 1951 he got his first drum, one of those noisy tin ones, at the age of 5. His first proper kit came when he was 12, and whether in front of the mirror or the TV he would be drumming along to any music he could.

A natural performer Collins attended stage school, and was soon playing in London's West End as the Artful Dodger in the musical Oliver. The cheeky Cockney image from Dickens camenaturally and would stand him in good stead during his future successes. He soon formed a band called The Real Thing and played his first gigs. He was playing with anyone he could, and eventually joined a group called The Freeholdafter being the only one to reply to their Melody Maker advert. The Freehold saw Collins make his recording debut with a self-penned number called "Lying Crying Dying", the original demo of which has just recently surfaced.

After a while, supporting John Walker of The Walker Brothers, Collins and his guitarist friend Ronnie Caryl formed Hickory who soon found themselves with a concept album, the backing of Phonogram, and a new name, Flaming Youth.

Their album Ark II, was premiered at the London Planetarium and received lots of favourable press, but musical differences and a lack of commercial success soon meant it was time to answer another Melody Maker ad, this time from a struggling young band from Surrey, called Genesis.

Genesis had been gigging up and down the country without much success, and were still recovering from the departure of guitarist Anthony Phillips. They had also decided a change of drummer was required and after an eye opening audition at Peter Gabriel's parents' house, Collins was in.

Playing for a while as a four piece, including the odd gig with Ronnie Caryl on guitar, Genesis soon felt the benefit of their new percussionist, his much needed sense of humour and an unlimited enthusiasm for playing injected a new energy into the group. As Tony Banks said "He was by far the best musician in the band". Then with the arrival of Steve Hackett on guitar the final piece was in place.

For the next five years Collins played drums, sang, wrote and arranged songs, played sessions, and generally helped Genesis become one of the leading lights in the Progressive rock field. Such classics as "Supper's Ready", "Watcher of the Skies", "The Cinema Show" and "Get 'Em Out by Friday" all bear the trademark Collins feel. The stunning "Apocalypse in 9/8" section from "Supper's Ready" is the group at it's creative peak, and Collins is in there driving it all along. He even had time to join jazz-fusion rockers Brand X, with whom he recorded several albums.

When Gabriel quit the group in 1975, the music press jumped on the 'Genesis to split' bandwagon, the band of course carried on and Collins stepped up to the microphone and ended up sounding more like Gabriel than Gabriel did.

A Trick of the Tail and its follow up Wind and Wuthering, were two well-received and successful albums and put Collins well and truly in the spotlight. By now he was writing more so it was only a matter of time before the solo career arrived.

In 1980 he played drums on Peter Gabriel's third solo album and at the singers request left his cymbals at home. The resulting 'in your face' bombastic drum sound was put to good use by Collins on his debut solo single "In The Air Tonight" released in Jan 81, it raced to no.2 in the UK and achieved a top twenty position in the USA.

His first solo album, Face Value, sold by the truckload and was a number one smash, but again rumours about Genesis splitting up were proved to be wrong. The band decided on a kind of group album then solo album policy, which kept both camps happy. The album made Collins an instant solo star.

In Nov 82 his second album Hello I Must Be Going hit the number 2 spot, and provided him with a number one single, an uptempo cover of the old Supremes song "You Can't Hurry Love". Many old time Genesis fans found all this three minute pop song stuff hard to swallow, but the sales of both band and solo artist kept on rising. And as Collins once said "You don't wear the same clothes you wore ten years ago do you?" Some old Genesis fans obviously did.

For this album Phil contributed the song "You Touch My Heart" originally released on his album "Testify".

Please Visit: http://www.PhilCollins.com

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